3/2/2024 0 Comments Pacific rim mako mori porno![]() That last one may sound obvious in a vacuum, but after debacles like Universal’s botched Dark Universe experiment, King Arthur: Legend of the Sword’s aborted attempt to launch a six-film franchise, the “A Star Wars Story'' spin-offs cratering after Solo, and the repeated stumbles of the DCEU, instant franchises can’t be taken for granted in our contemporary moment. Beyond mere entertainment value, it’s straightforward, doesn’t overstay its welcome, gives us just enough context about every character and the overall situation to be invested in what’s happening without belaboring any points, delivers on the action thrills it promises, features beautiful cinematography and a memorable musical score, and perhaps most importantly in this day and age, doesn’t shortchange its own narrative out of a misguided impulse to lay down groundwork for future sequels and spin-offs that may or may not happen. Sheer novelty isn’t the only reason Pacific Rim endures as a worthwhile film a decade later it’s also a weird but remarkably well-constructed movie, much like the gargantuan Jaegers at the center of the plot. Genre fare can’t fully thrive in a world made entirely of remixes, but after the last decade of big-budget films, it really feels like Pacific Rim was one of the last examples of fresh blood in the blockbuster space. Not that there’s anything inherently wrong with adaptations or sequels, but there’s something to be said for the power of allowing the nostalgic whims of a creator with a personal vision to take center stage as opposed to the nostalgic whims of an audience who wants to see what they already know they like. Anyone with even a passing familiarity with del Toro’s filmography would have little trouble recognizing it as one of his productions, and the way the film reflects the director’s idiosyncrasies is a huge part of what makes it such a bizarre and compelling feature.įueled by del Toro’s love of kaiju films, mecha anime and video games, Pacific Rim is the sum total of a mélange of narrative influences that the filmmaker synthesized to create something new, rather than a direct adaptation of any of those previous IPs. In a summer movie season that included major franchise fare like Iron Man 3, Star Trek Into Darkness, Fast & Furious 6 and Man of Steel, Pacific Rim stood out from the pack by fulfilling all the obligations of a crowd-pleasing sci-fi blockbuster while also being an original property with an unmistakable directorial stamp. Yet between those two pivotal releases, Pacific Rim was dropped into theaters in the summer of 2013, and it was the kind of breath of fresh air that would become far too infrequent in the coming years. Not that we haven’t seen some great movies from the likes of the MCU, Star Wars or other major four-quadrant properties during this period, but it increasingly feels like a handful of established mega-franchises are the only thing that many studios are even interested in making these days. The “IP or nothing” stranglehold on big-budget cinema existed prior to this, but these two movies accelerated our current nostalgic pop culture fixation until it fully calcified. Both forms would become the dominant blockbuster molds for the foreseeable future. ![]() The early-to-mid 2010s completely changed the landscape of blockbuster filmmaking with the one-two punch of The Avengers in 2012 and Star Wars: The Force Awakens in 2015, which codified, respectively, the cinematic universe boom and the legacy sequel trend.
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